Jehsong Baak, black and white photography, fine art photography, Korean-American, artist, photographer, autobiographical photography, photographe, photographie d'auteur, argentique, noir et blanc, portrait of boy, portrait de garcon
Mathias, Paris 2003
Jehsong Baak, black and white photography, fine art photography, photographie d'auteur, noir et blanc, Moving Pictures, short film
Still-frame from "Moving Pictures", a 9 minute short film with photographs from "One Last Goodbye". Animated and co-directed by William Le Caron.
Jehsong Baak, black and white photography, fine art photography, Korean-American, artist, photographer, autobiographical photography, photographe, photographie d'auteur, argentique, noir et blanc, portrait of woman, French women
Danielle in 14th arrondissement, Paris 2003
Jehsong Baak, black and white photography, fine art photography, Korean-American, artist, photographer, autobiographical photography, photographe, photographie d'auteur, argentique, noir et blanc, Paris, night, nuit, street photography, photographie de la rue
Reflection of a woman on rue de Rome, Paris 1999
Jehsong Baak, black and white photography, fine art photography, Korean-American, artist, photographer, autobiographical photography, photographe, photographie d'auteur, argentique, noir et blanc, window, fenetre, Paris, cityscape, night, nuit
Man on a rooftop, Paris 2018

I don’t know how many chambre de bonne there are in Paris, but I must have lived in half of them.  One day, I saw a young man standing on the rooftop of the building across from mine on rue d’Aumale.  Maybe he was meditating, or maybe he had just gotten out of jail and was taking in the vast open space, but I was getting worried about what the one horrible thing that people do from the top of a roof.

Ca va?” I shouted at him.

Ca va.” he answered.

He stood frozen for a minute or two, long enough for me set up a tripod and snap a picture.  When I looked out of the window again a moment later, he was gone.

I was relieved to see him back on the rooftop, at the same spot, a couple of weeks later.

Jehsong Baak, black and white photography, photographie noir et blanc, fine art photography, photographie d’art, Korean-American, Coreen-Americain, artist, photographer, photographe, autobiographical photography, photographie autobiographique, photographie d'auteur, argentique, noir et blanc, Rome, Piazza Venezia, night, rain, umbrella
Woman with umbrella on Piazza Venezia, Rome 1999
Jehsong Baak, black and white photography, photographie noir et blanc, fine art photography, photographie d’art, Korean-American, Coreen-Americain, artist, photographer, photographe, autobiographical photography, photographie autobiographique, photographie d'auteur, argentique, noir et blanc, La ou Ailleurs, Robert Delpire, photography book
Là ou Ailleurs, published in 2006 by Robert Delpire in Paris

After several years of complications with three publishers, Robert Delpire published my first book in 2006.  I had met Bob in 1998, when I first arrived in Paris, through Annie Boulat. Annie was the one and only contact I had when my feet touched French soil, given to me by a friendly Italian photographer at a party in New York just days before my departure.  Bob was a hard read at first.  I wasn’t sure whether he liked my work or not, but when he pointed at a picture of a stuffed Felix the cat in a toy store in Korea and said, “I’d like to put this in a book I’m doing about cats…is that OK for you?”

I saw Bob once every couple of years after that, bringing a box of small prints of new pictures to show him, trembling inside that he would tell me that they weren’t very good.  He generally didn’t said much.  “Continuez…  Il faut continuer à faire des photos.” was what he always told me as I left his office.  He used ‘vous‘ with me back then.

Jehsong Baak, black and white photography, fine art photography, Korean-American, artist, photographer, autobiographical photography, photographe, photographie d'auteur, argentique, noir et blanc, portrait, New York, Gerhard K.
Gerhard K., New York 1987

Gerhard was a German from London. We shared a single room occupancy hotel room on 99th and Broadway for a few months.  Both of us were holding on by the skin of our teeth to survive in the rough jungle of the Big Apple.  He had worked at the Ritz in London and was looking for a similar job at a 5-star hotel in New York.  In the meantime, he worked occasionally as a waiter for a temp agency.  He got me in on the action and sometimes we would take the subway all the way out to Brighton Beach in Brooklyn to a synagogue for wedding receptions.  The long trek was worth it because it paid $15 an hour and back in the late 80s, that was good money.

Jehsong Baak, black and white photography, photographie noir et blanc, fine art photography, photographie d’art, Korean-American, Coreen-Americain, artist, photographer, photographe, autobiographical photography, photographie autobiographique, photographie d'auteur, argentique, noir et blanc, intimate photographs, photographie d'intimité, nude woman, femme nue
Danka, Paris 2002
Jehsong Baak, black and white photography, photographie noir et blanc, fine art photography, photographie d’art, Korean-American, Coreen-Americain, artist, photographer, photographe, autobiographical photography, photographie autobiographique, photographie d'auteur, argentique, noir et blanc, horse, cheval, landscape, paysage
White horse, Schiermonnikoog Holland 2005

Snuck up on this beautiful white horse having dinner on the island of Schiermonnikoog in Holland. He was too busy chowing away to notice me encroaching him ever closer. The lens was wide open and I think the shutter speed was 1/2 a second or maybe even a full second. The sound of the shutter clicking startled the poor bugger and he moseyed on over to another spot to dine in peace.

Jehsong Baak, black and white photography, photographie noir et blanc, fine art photography, photographie d’art, Korean-American, Coreen-Americain, artist, photographer, photographe, autobiographical photography, photographie autobiographique, photographie d'auteur, argentique, noir et blanc, portrait of woman, sad woman, woman crying
Liv tears, New York 1988
She was Swedish and gorgeous, the girlfriend of my roommate Armon when we were living in Little Italy. For the life of me, I can’t remember her name. I want to say Liv…only because she was as beautiful as Liv Ullmann and I would bet anything that Ingmar Bergman would have put her in one of his movies if he had met her. I was secretly in love with her and fantasized that she would leave Armon and run away with me.
Jehsong Baak, black and white photography, photographie noir et blanc, fine art photography, photographie d’art, Korean-American, Coreen-Americain, artist, photographer, photographe, autobiographical photography, photographie autobiographique, photographie d'auteur, argentique, noir et blanc, Anders Petersen, portrait
Anders Petersen, Paris 2003

Having a beer, or two, with the great Anders Petersen in a bar in St. Paul sometime in 2003. I got to meet this master Swedish photographer during the brief time that I was with Galerie VU. Fiercely intense and uncompromisingly dedicated to his art, coupled with incredible kindness and generosity, Anders is one of rare artists I’ve met whose humanity is on par with the greatness of his work.

Jehsong Baak, black and white photography, fine art photography, Korean-American, artist, photographer, autobiographical photography, photographe, photographie d'auteur, argentique, noir et blanc, portrait of woman, French women, sunlight, Butte Chaumont, Paris
Delphine at Butte Chaumont, Paris 2006
Jehsong Baak, black and white photography, photographie noir et blanc, fine art photography, photographie d’art, Korean-American, Coreen-Americain, artist, photographer, photographe, autobiographical photography, photographie autobiographique, photographie d'auteur, argentique, noir et blanc, self-portrait, autoportrait, rage, jeune homme, young man, Asian man, homme asiatique
Self-portrait, Ann Arbor 1987
Taken in my dorm room in Bursley, a few days before I left Ann Arbor to move to New York with big hopes of making it as a photographer. I was 19 and totally clueless about life and everything else.
Jehsong Baak, black and white photography, fine art photography, photographie d'auteur, noir et blanc, One Last Goodbye, autobiographical, autobiographique

LensCulture article 2016: Making a Photobook to Say “One Last Goodbye”

Interview with Alexander Strecker of LensCulture 2015